Volume 26, No. 1
January 2001

A Publication of the Materials Research Society

January 2001 Bulletin
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© Copyright 2001
Materials Research Society
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PRESERVING ART THROUGH THE AGES

Preserving Art through the Ages, 13
P.B. Vandiver, Guest Editor

Investigations of Astrolabe Metallurgy Using Synchrotron Radiation, 19
G.B. Stephenson, B. Stephenson, and D.R. Haeffner

Peruvian Black Pottery Production and Metalworking: A Middle Sicán Craft Workshop at Huaca Sialupe, 25
I. Shimada and U. Wagner

Technical Studies and Replication of Guan Ware, an Ancient Chinese Ceramic, 31
L. Jiazhi, D. Zequn, and X. Jiming

Evidence for the Metallurgical Origins of Glass at Two Ancient Egyptian Glass Factories, 38
J.L. Mass, M.T. Wypyski, and R.E. Stone

Materials Science Research for the Conservation of Sculpture and Monuments, 44
G.W. Scherer, R. Flatt, and G. Wheeler

Traditional Oil Paints: The Effects of Long-Term Chemical and Mechanical Properties on Restoration Efforts, 51
M.F. Mecklenburg and C.S. Tumosa

The Challenge of Preserving Modern Art: A Technical Investigation of Paints Used in Selected Works by Willem de Kooning and Jackson Pollock, 56
S. Lake

MRS NEWS

Green Leads Executive Committee in 2001, 61

MRS Bulletin Volume Organizers Guide Technical Theme Topics for 2001, 63

ABSTRACTS

Abstracts for February 2000 Journal of Materials Research, 65

DEPARTMENTS

Letter from the President, 3
Material Matters, 4
Research/Researchers, 8
Washington News, 11
Resources, 12
Advertisers in This Issue, 54
Library, 64
-The Cambridge Guide to Minerals, Rocks and Fossils, A.C. Bishop, A.R. Woolley, and W.R. Hamilton; reviewed by J.-P. Poirier
Calendar, 68
Classified, 71
Posterminaries, 79

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ON THE COVER: Through materials research, conservation scientists can gain a greater understanding of historical artifacts and the craftmanship used to create them. Modern techniques such as synchrotron x-ray analysis can shed light on the internal microstructure of objects such as the 16th-century astrolabe pictured here. Superimposed on the astrolabe is a pinhole diffraction pattern obtained from this particular artifact, showing the random arrangement of the polycrystalline grains in the brass plate, the pattern of which is consistent with manual hammering techniques used to work brass in the 16th century. See the technical theme that begins on p. 13. Cover montage by Mary Ann Forys, Argonne National Laboratory.

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